![]() All this, as Martin observed, for "a mere 30 US dollars - less than 20 quid!" ![]() D‑Sound Pro offered comprehensive sample editing functions, a variety of built-in effects, SCSI and MIDI dump support for numerous external samplers - and even a synth oscillator for generating new sounds. I'm sure crashes will become less common once 64-bit support is added in the next major update.This popular shareware sample editor has grown into a serious audio manipulation tool.īack in 1997, while idly flicking through the June issue of SOS, I came across a brief but very favourable review of a shareware audio editor called D‑Sound Pro in what was then Martin Russ's Apple Notes column. I'm just so thankful that we finally have a pro-level Mac-oriented mastering program that fully supports Cocoa-based plug-ins. I do this sort of thing for a living myself and appreciate how hard it is. I can't really complain about the crashes, because Stefano is a hard-working and supportive vendor who is transparent and open about everything and doesn't get defensive when issues are presented. I don't think even Peak had that capability? It's really great that each plug-in slot has its own balance knob and L/R gain control to avoid "overs" during stacked plug-in processing. I may not care though, as I only use three plug-ins at the mastering stage. There's supposed to be a way to save a global plug-in chain as well, but so far I'm not seeing it. I always save my settings as presets so they are easily recovered if I need to move the slot, or if there's a crash - even though each song will likely get its own settings. I haven't yet found a way to "drag" plug-ins from one slot to another, as in DP, so that kills a tiny bit of time. It's my first-in-chain, so I'll need to apply VTM elsewhere and re-save my pre-masters. VTM won't load at all I have tried many times and it ALWAYS crashes. I am getting occasional crashes, which seem mostly related to Slate Digital plug-ins. I really like the tape-rewind and other unique features that I've never seen on other mastering apps, as it's a time-saver. So far, I am LOVING DSP-Quattro as my audio mastering app. This is a quick update as I can't afford the CPU and memory hit of having the browser open while working. I won't bother boning up on mastering in Logic or trying to get past my annoyances with Studio One's Project Mode now.ĭoes anyone know off-hand of a plug-in that is exclusively workable in 64-bit mode, to use as a final test of DSP-Quattro's viability as a full replacement for BIAS Peak Pro etc. This is a great update so far, and it looks like I'll be able to make DSP-Quattro my main mastering app for both audio and CD mastering at this point. I love iZotope RX4 Advanced, but it's one plug-in at a time with that app, which isn't good for recall as well as making gain staging cumbersome during the mastering phase. Is this because Cocoa is now supported, or is it more complicated than that?Īnyway, I don't care so much if the app itself is still 32-bits if it can host all of my mastering plug-ins, which so cars looks to be the case and was NOT true up until this update (just as with BIAS Peak). I also loaded ones that I think are ONLY available as 64-bit plug-ins, and they too loaded fine. I loaded plug-ins that I know to still be 32-bit only, and other than the ones from Eiosis, all loaded fine. Tonight, I began loading a gazillion plug-ins, and the only ones that are rejected are the old Eiosis ones due to an apparent incompatibility with the license key (not surprising as Fabrice Gabriel hasn't updated them in years, other than for Air Premium, which loads fine). I learned about it yesterday from a random post at GS as I recall, installed it, launched it to make sure it was authorized, and then went to bed.
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